DeBryn at a crime scene, just barely beating out Fred and Strange. But it seems someone is less impressed: scrawled on her mirror, in lipstick, is the word “BITCH.” Back at the concert hall, Soloist returns to her dressing room, getting congratulations from her fellows on the way back. Fred tries to find out who’s called, eventually giving up, and in the background we hear Win asking if the caller was Sam Thursday, who it seems must unfortunately still be as missing as he was at the end of last season.īad news for the running guy: the two men take him to an abandoned warehouse to work him over with an array of torture tools that look like they mean business. Remember that running guy? He’s heading for a phone box, where he places a call to the Thursday home before being dragged into a car by two men who’ve been pursuing him. And where’s Morse in all this? Surprisingly, he’s not in the orchestra audience, at least as far as I can tell: he’s on a park bench with a crossword, so maybe he’s actually gone and taken that leave to sort out his drinking problem after all. As the young soloist prepares to go on, across town, Fred Thursday’s desk phone goes unanswered, and a middle aged man runs down the street. A fancy concert, featuring a renowned concert orchestra, who’ve just returned from a year abroad, at that. This episode kicks off with a bunch of musicians heading to the theater for a concert.
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